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Adamantium Rage OST

by Dylan Beale

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  • Record/Vinyl + Digital Album

    Ltd 2 x 12" Black Vinyl in Full Colour Reverse Board Sleeve.
    Design by DRME

    ** all orders are packed in Eco-friendly packaging. Plastic Free, made from sustainable and compostable FSC® certified paper & cardboard and printed using vegetable based inks. **

    Includes unlimited streaming of Adamantium Rage OST via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
Title 03:20
2.
Cinema 1 01:15
3.
Cinema 2 05:08
4.
Weapon X Lab 03:43
5.
6.
Japan 02:49
7.
Tri-Fusion 01:26
8.
9.
Tokyo 03:10
10.
Geist 01:21
11.
12.
Cyber 03:28
13.
14.
Dark Queen 01:36
15.
Fugue 04:20
16.
17.
Great Beast 02:30
18.
Game Over 00:04
19.
Unused 03:21
20.
Unused 2 03:42
21.
Alarm 01:43
22.

about

Adamantium Rage OST composed by Dylan Beale (SNKRSP001)

Having been re-discovered as a groundbreaking slice of proto-grime from 1994, Dylan Beale’s legendary soundtrack for the SNES game Wolverine: Adamantium Rage finally gets the reissue treatment it deserves via Sneaker Social Club.

When the game came out in 1994, Beale’s soundtrack for the SNES edition stood out from the pack for its gritty beats, deceptively weighty low end and edgy orchestra stabs, but few would have guessed how certain tracks would predict the shape of music to come. Around 2016, the ‘Tri-fusion’ track in particular was picked up on by London-based producer Sir Pixalot as a mind-blowing slice of Eski beat coldness. To prove his point, Pixalot ran an acapella from J-Wing over the track and the results spoke for themselves.

While ‘Tri-Fusion’ is a straight-up accidental grime sheller, there’s scores more heat packed away in Beale’s soundtrack for Adamantium Rage. The limitations of the space on the game cart meant Beale had to get creative with the most limited samples. Fortunately his background producing UK hardcore and jungle in Rude & Deadly and Stuck To Your Lips meant he knew his way around the restrictions of an Akai s950. Fuelled by the inspiration of jungle and West Coast rap, he worked on the game soundtrack with a similar spartan attitude, limited to 200kb with which to load up the music engine for the game, samples and all.

Given the importance of minimalism in the effectiveness of soundsystem music, it’s not surprising tracks like ‘Cyber’ and ‘Dark Queen’ pack a punch which could absolutely set a dance off. Watch out for ‘Weapon X Lab’ too - another stand out bomb creating a deadly machine funk out of the tightly clipped bass samples and weird animal groan loops. Alongside the full, original soundtrack, this first issue of Wolverine: Adamantium Rage OST comes with additional tracks never used in the original game which widen out the styles Beale was exploring within the shockingly limited means at his disposal.

“I vividly remember when we first played the soundtrack on a bigger set of speakers to the boss,” Beale recalls, “his initial reaction was one of amazement that we had created something so ‘real’and different in comparison to everything else out there in terms of video game music, which I remember with great pride and fondness. Comparing to everything out there, it was totally unique- a moment in time.”

credits

released October 27, 2023

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Sneaker Social Club Bristol, UK

Modernist Hardcore / UK Club imprint

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